But the Spirit of the Land — guardian of the island — sees him as a threat and turns him into stone. In Filipino tradition, petrification is worse
than death: you remain alive, but unable to move. Only when the Spirit learns that the woman is expecting a child does it lift the curse.
The man returns to life — no longer a stranger, but part of the land.
But the Spirit of the Land — guardian
of the island — sees him as a threat
and turns him into stone. In Filipino tradition, petrification is worse than death: you remain alive, but unable to move. Only when
the Spirit learns that the woman is expecting a child does it lift the curse. The man returns to life — no longer a stranger, but part
of the land.
IVATAN – People of the Sea
On stage, this unfolds in a way rarely seen in ballet:
On stage, this unfolds in a way rarely seen in ballet:
The Batanes Islands are the northernmost
point of the Philippines — closer to Taiwan
than to Manila. A land where houses are built from coral stone with meter-thick walls
to withstand typhoons. Where shops operate without sellers — customers take goods
and leave money themselves. Where people have lived for centuries by the laws of wind
and sea.
The Batanes Islands are the northernmost point
of the Philippines — closer to Taiwan than to Manila.
A land where houses are built from coral stone
with meter-thick walls to withstand typhoons.
Where shops operate without sellers — customers take goods and leave money themselves. Where people have lived for centuries by the laws of wind and sea.
It is on this shore that a man is cast
after a shipwreck. A stranger, unfamiliar
with the language, rituals, and rhythm
of this land. A woman from the Ivatan people nurses him back to life, and something beyond words grows between them.
It is on this shore that a man is cast after a shipwreck. A stranger, unfamiliar with the language, rituals, and rhythm of this land. A woman from the Ivatan people nurses him back to life, and something beyond words grows between them.
music rooted in traditional Ivatan rowing songs and chants, choreography blending folk movement with classical technique, and costumes by renowned Filipino artist Leeroy New — recreating the geometric patterns and textures of Batanes.
music rooted in traditional Ivatan rowing songs and chants, choreography blending folk movement with classical technique, and costumes by renowned Filipino artist Leeroy New — recreating the geometric patterns and textures of Batanes.
Music: Ronald Vincenzo Khaw de Leon
Choreography: Mikhail Martynyuk